Given three phrases/words and two hours, write a complete short story.
Autumn rain
Dried apples
Truck
With the first light of day Konnie throws her feet out of
her sleeping bag and over the edge of the bed, slowly re-orienting herself to
morning in Grandma’s cabin. Her
feet ache from the long hike up and down the wet stony trails, where she’d searched
for any sign of chanterelles or other edible mushrooms and late hanging
blackberries or huckleberries all through an autumn rain on Tuesday afternoon. Not
that she needed the food, but there was no question the first thing she needed
to do after fifteen years away was to walk her own paths again.
The mountainette behind the cabin had seemed to embrace her
in its dripping flora with hemlock branches gracefully bowing among other
evergreens, and the flaming vine maple creating arches leading to moss-rich old
growth cathedrals. As a child,
this land welcomed her in that same embrace at all seasons of the three years
she spent here. At that time, Konnie had never imagined she would be without
the nourishment that oozed into her body, mind and soul from this ultra-lush
rainforest.
The old morning rhythm stretches in front of her like a wise
old cat and she warms her toes with massage, then mimics the stretch herself.
She pulls on heavy socks then the clogs, stomping over to haul the long
raincoat over her flannel nightgown, eyes opening bit by bit as she makes her
way to the outhouse. On return she stops near the deck to haul an armload of years-dry
firewood before kneeling in front of the cold iron stove. Stir and layer the ash, wad and rip
some paper, add a quasi-tent of kindling and a couple small logs, lay paper
atop all. Check the draft and light the fire from the bottom, stay with the
flame until it proves, close the door.
Carry drinking water, fill the kettle, place it on top of the stove,
prep the coffee press. Sit. Gaze.
The walls still hold an odd collection of Grandma’s mis-matched oil paintings: a large
portrait of her black lab; a study of bordello windows with isolated girls
glancing at the viewer; the Madonna in a cloak of scarlet, her miracle infant
suckling a large bared breast; a framed collection of miniature pencil
sketches--- some vegetables, a vase, a dandelion gone to seed. She wonders if she’ll ever have the
nerve to free these from the walls and enjoy the relief from the visual discord.
Seeking a more harmonious perspective, she turns her chair
toward the deck windows and welcomes the dim light filtered by the tall firs
and hemlocks growing from below the cabin. The stellar jay hops from railing to roof, pecking at seeds
in the warped cedar shakes. The
kettle boils, and when the coffee has brewed, she sits in Grandma’s overstuffed
armchair, welcoming further awakening.
She feels perfectly at home in this big soft chair with its
wide arms, though she’d never occupied it as a youngster. It was Grandma’s
perch, no question, and she was too big for Grandma’s lap by then. They’d done well together after Mom had
dumped her here and disappeared, but that period of time was immediately
bracketed in parentheses once Grandma sent her away to a boarding school, then
various summer camps. She figured Grandma was paying for all these schools, so
maybe she cared about her, but letters were rare and boring. Distance begets distance, and Konnie had
gradually learned to stop trying for the connection, realizing along the way that
she had, without knowing why, become a complete entity as an individual, a
whole family in her own right.
She refills her cup and muses long but lightly about the
mystery of why the place became off-limits. After becoming completely safe in such a warm and settled
refuge, she’d been evicted without knowing it, then never invited to visit, let
alone stay. Now it’s her place.
At the dining table, the stained placemats, dusty silk
flowers, unopened mail and a stained teacup are discarded. Sketchbooks, full
and empty move as one pile into a box. The table is wiped clean. Cushions are
removed from both chairs. She holds a box next to the windowsill here and runs
her hand along it, while tree cones, stones and feathers magically descend and
are transferred to the dark hole of her bag. She lowers the retractable lamp
and discards that darkened bulb, dusting the brass and prompting the fixture to
swoop back to its highest position.
The kitchen side of the room has more clutter but she’s
adept by now and approaches just one cubby at a time. Curtains and rods are
quickly removed from the window and both cupboards. A few plates, bowls, cups,
glassware go into the boxes. All the food packages, gone. The small
refrigerator practically empties itself, a few dairy products and vegetables
nearly alive again. Linens, spice jars, noodles, pots, pans, spatulas and
vinegar add to the wealth of the Hefty bag. At the sink, she tosses all the
skimpy remains of every leftover bar of soap, every gray dishcloth, even the
cleansers and drain plugs. She
pulls the entire trashcan out from under and christens the second Hefty
bag. Tupperware, empty bottles, flashlights,
and a soup can filled with bacon grease follow. She leaves the dead insects lying on the windowsill above
the sink.
Moving to the wall where her sleeping bag covers layers of
bedding wrapped around the mattress, she raises her bag in the air with one
hand while peeling layers with the other, holding her breath, but eventually
just holding her sleeping bag to her face to fend off the years of lint and
dandruff spinning through the air.
Hauling the trash bags to the truck, she notices feeder
trays rotting and sprouting with old birdseed, and adds these to the mix. She leans against an old friend, its
bark wider and thicker than she remembers, and takes in the freshest air she’s
ever known. Inspired, she plops
down onto the mossy duff, rolls onto her back and stretches her limbs to their
four directions, absorbing the clearing as a blue September skylight reveals an
openness that goes straight to her heart.
When the blue sky fully reigns through the canopy of fir
trees, she sighs deeply, rises gently and saunters to the deck, where she digs
in again, hauling the Weber grill, the broken chairs and mildewed
cushions. Opening the deck slider,
she’s glad she hadn’t stoked the fire. She warms to her work, dragging her
armchair into the open air, wrestling the mattress across the room to share the
air with the chair, and wielding her broom as she seeks clarity where the
ceilings and floors meet the walls.
The remaining furniture joins the tight array on the deck. Now one could
live her entire day there, from bed to reading chair, and a place to dine.
With her water jug still full, she retrieves a pillowcase
and mops the windows and sink, then sloshes some onto the floor where her
broomwork transforms the remaining dust to a thinly grained layer of silt.
She notices she hasn’t eaten, but this fact seems to nourish
the process so she sips more water.
Surveying the cabin, she notices appeal in the simplicity of
the corners. Will re-placing the
freshly aired furniture complete the job?
She lugs each piece from the deck, but the dining table now lands near
the deck slider, the bed at the open end of the kitchen wall, and the armchair
--- well, there’s only one place for the armchair, only one place where body,
mind and soul can scrutinize or simply accept each morning’s gift. It goes to
the corner where the head of the bed had been.
On the dining table, she leaves a clean bowl, a spoon and
her kettle. She packs the boxes, her sleeping bag and coffee press over to the
truck, starts the engine and lets it idle. From the wall in the cabin a dog’s brown eyes watch, hoping
he can go along; the hookers nod approvingly at her detachment, and the Madonna
nourishes her child while a nearby dandelion scatters its seed.
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